A BOOK OF PRAYERS
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A BOOK OF PRAYERS

COLOPHON WITH THE NAME AHMAD AL-NAYRIZI, IRAN, DATED AH 1127/1715-16 AD

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A BOOK OF PRAYERS
COLOPHON WITH THE NAME AHMAD AL-NAYRIZI, IRAN, DATED AH 1127/1715-16 AD
Arabic manuscript on paper, 30ff. concertina bound, most folios with 6ll. of elegant black naskh in clouds reserved against gold ground, red Persian interlinear translation, text panels laid down between minor bright orange and black borders decorated with gold floral or geometric design on Qajar wide stamped paper borders, the bifolios alternately in gold and bright blue, opening folio with headpiece with gold naskh on green ground, the text below and on the following 3ff. without the interlinear translation, first folio with later owner's note, colophon signed and dated, in Qajar lacquer binding with central floral motif surrounded by minor borders with gold decoration on alternating black and brown ground, paper covered doublures, in associated red slipcase with gilt decoration
Text panel 4¼ x 2 3/8in. (10.8 x 6cm.); folio 9 1/8 x 5 7/8in. (23.2 x 15.1cm.)
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Lot Essay

Ahmad al-Nayrizi (fl.1682-1722 ) was born in the town of Nayriz in Fars. His primary master in naskh was Muhammad Ibrahim bin Muhammad Nasir Qumi, known as Aqa Ibrahim Qumi (fl.1659-1707). In the late 17th century Nayrizi settled in Isfahan and came to the attention of Shah Sultan Husayn (r.1694-1722) who became an important patron and by whom Nayrizi was given the honorific surname Sultani. He produced work for royal patrons for almost two decades.

Combining strength with elegance, Nayrizi's hand is 'a confident one, characterized by exceptionally well-formed letters. Its most striking features are its relatively large size and the wide spacing of the lines of text' (Nabil Safwat, The Art of the Pen, The Nasser D. Collection of Islamic Art, London, 1996, p. 212). It is with Ahmad al-Nayrizi that we find the development of a distinctly Iranian naskh that went on to be used as the standard Qur'anic hand throughout the 19th century. A prayer book copied by Nayrizi is in the collection of the Metropolitan Museum in New York, (inv. 2003.239, illustrated in: Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art, New York, 2011, no.191, pp.272-274).

For another work by this famous scribe, please see the preceding lot.

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