Dong Yoo Kim (b. 1965)
This property has been sourced from overseas. Whe… 显示更多
金东囿

格蕾丝•凯利 V S 克拉克•盖博

细节
金东囿
格蕾丝•凯利 V S 克拉克•盖博
油彩 画布
162.2 × 130 cm. (63 7/8 × 51 1/8 in.)
2013 年作
签名:KDY 2013(右下)
注意事项
This property has been sourced from overseas. When auctioned, such property will remain under “bond” with the applicable import customs duties and taxes being deferred unless and until the property is brought into free circulation in the PRC. Prospective buyers are reminded that after paying for this lot in full and cleared funds, if they wish to import this lot into the PRC, they will be responsible for and will have to pay the applicable import customs duties and taxes. The rates of import customs duty and tax are based on the value of the goods and the relevant customs regulations and classifications in force at the time of import. The final amounts will be determined by PRC Customs and other competent authorities at the time of import. Neither Christie’s nor the seller warrants or guarantees the accuracy of this information and we are not responsible in any way for any errors or omissions. Potential buyers are responsible for satisfying themselves as to the amount of import customs duty and tax payable for lots which they buy and intend to import into the P

拍品专文

在当代视觉文化发展中,电视、网络的色彩均由一个个如分子大小般带着颜色的圆点所构成。这种特殊的当代视觉表现深深地影响了当代艺术家对视觉的概念与表现。在金东囿的画作中,出现以精密排列的人物头像组成的一个大画面,形成在观看他作品时近看是一幅幅小画像而在远看时却是一个显微放大的人物画像的奇特安排。在本次拍品中,金东囿运用无数细小的克拉克•盖博画像组成格蕾丝•凯利的图像。然而在当代社会对名人偶像的高度崇拜与认同下,人物的脸孔特征更成为现今社会的一种象征与形象。一张张小脸上艺术家简洁的笔触可以看出他所受的严格训练,在没有科技的支持下,他以细腻的亮度渐层构成整张脸。金东囿在一个个由缩小的人物头像组合而成的大型画像,他的观点直接点明当代艺术视觉无限可能的环境下,真实与虚构之间的模糊界限。

更多来自 亚洲与西方二十世纪及当代艺术

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