AN URBANIA MAIOLICA DOCUMENTARY ISTORIATO BOWL
AN URBANIA MAIOLICA DOCUMENTARY ISTORIATO BOWL
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THE PROPERTY OF A COLLECTOR
AN URBANIA MAIOLICA DOCUMENTARY ISTORIATO BOWL

THIRD QUARTER OF THE 17TH CENTURY

Details
AN URBANIA MAIOLICA DOCUMENTARY ISTORIATO BOWL
THIRD QUARTER OF THE 17TH CENTURY
Painted by Ippolito Rombaldoni with scenes representing aspects of love, a large rock in the foreground inscribed DEL CASTIGO D'AMOR MIRA L'ESEPIO / DI QVELAMOR CHE EA GRATORTOAL DRITTO / CHE [in] PRICIPITIO ONDE RIMANE AFFLITTO / MENA COLVI, CHE L'SEGVE·INGIVSTOTEPIO above the initials ·HR ·, the underside with blue and yellow concentric circles (damage and glaze flaking to rim, glaze flaking to underside), mounted in a 19th century elaborately carved circular giltwood frame
The bowl 9½ in. (24 cm.) diam; the frame 19 1/8 in. (48.5 cm.) wide

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Matilda Burn

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Lot Essay

The inscription translates as 'admire this example of the punishment of love, of that love which does great harm to what is right, which draws with it into the precipice, there to lie afflicted, the unjust and impious man who follows it'.

The scene on the bowl, from Dante's Inferno, is derived from two engravings; 'the punishment of love' on the left (including the central female figure) is taken from an engraving attributed to Justus Sadeler, thought to have been executed in the 1590s or slightly later (a shell-shaped dish with the same subject was sold in these Rooms on 22 April 2008, lot 48). The right-hand scene is taken from Agostino Carracci's engraving Eta d'Oro of circa 1590-94. The engravings are after the paintings Castigo d'Amore and Eta d'Oro now attributed to the Flemish artist Paolo Fiammingo (1540-96), having previously been attributed to Agostino Carracci.

For other known examples and a discussion of Rombaldoni (1619-79), who is recorded as having worked at Urbania, see Julia E. Poole, Italian maiolica and incised slipware in the Fitzwilliam Museum Cambridge, Cambridge, 1995, pp. 303-304, no. 375. His style included the use of bold cross-hatching, and he used an HR or IR monogram or sometimes his name in full to identify his work.

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