Frederic, Lord Leighton, P.R.A., R.W.S. (1830-1896)
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Frederic, Lord Leighton, P.R.A., R.W.S. (1830-1896)

Studies of seated figures for 'Tessa at home' from George Eliot's 'Romola'

细节
Frederic, Lord Leighton, P.R.A., R.W.S. (1830-1896)
Studies of seated figures for 'Tessa at home' from George Eliot's 'Romola'
black and white chalk on blue paper
8 x 11 in. (20.4 x 28 cm.)
来源
Anonymous sale; Sotheby's, London, 11 November 1998, lot 295.
with Peter Nahum, London, where purchased by the present owners.
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

荣誉呈献

Clare Keiller
Clare Keiller

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拍品专文

The present drawing and lot 22 are part of a series of 25 drawings and fourteen decorated initials Leighton executed for George Eliot’s Romola: a historical romance set in Renaissance Florence and serialised in the Cornhill Magazine 1862-3. Initially Eliot disapproved of Leighton’s designs and relations between the two were strained, however they were eventually reconciled and Leighton’s drawings were acknowledged to have contributed to the edition’s commercial success and the surge in popularity of illustration.

The present drawing shows Tessa with her child and her old nurse Monna Lisa after Tito has tricked her into a sham marriage. The finished engraving is in the reverse direction to this drawing.

In the 1860s there was an was a vast increase in the number of books and periodicals published with black and white line plates, both young artists and more seasoned professionals provided designs for the wood block engravers. Artists such as George John Pinwell (1842-1875) and Frederick Walker (1840-1875) produced watercolours and engravings for the Dalziel Brothers. Leighton’s first commissions as an illustrator came from the Cornhill Magazine; his drawings of The Great God Pan and Ariadne appeared as plates accompanying Elizabeth Barrett Browning’s poems 'A Musical Instrument’ and 'Ariadne at Naxos’ in 1860. Both Leighton and Poynter worked for the Dalziel Brothers and executed designs for Dalziel’s Illustrated Bible during the 1860s.

更多来自 维多利亚时代、前拉斐尔派及英国印象派艺术

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