Emma Sandys (1834-1877)
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Emma Sandys (1834-1877)

Portrait of a young lady, bust-length

細節
Emma Sandys (1834-1877)
Portrait of a young lady, bust-length
signed with monogram and dated '1873' (upper left)
pencil and coloured chalks, heightened with bodycolour on buff paper
17 ¾ x 13 7/8 in. (45.2x 35.3 cm.)
來源
with Peter Nahum, London.
Anonymous sale; Sothebys, London, 25 January 1988, lot 439 (unsold).
Anonymous sale; Sothebys, London, 3 March 1993, lot 35.
with Ealing Gallery, London.
Anonymous sale; Christie's, South Kensington, 23 March 2005, lot 119.
with Campbell Wilson, Hove, where purchased by the present owners.
出版
Pre-Raphaelite Women Artists, exh. cat. Manchester City Art Galleries, p. 122, illustrated p. 84.
展覽
Manchester, Manchester City Art Galleries, Pre-Raphaelite Women Artists, 1997-8, no. 33.

注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Clare Keiller
Clare Keiller

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拍品專文

Emma Sandys was the younger sister of Augustus Frederick Sandys (lots 18 and 20) and she often sat for her brother. Pamela Gerrish-Nunn, in her catalogue to the Manchester exhibition, suggests that this was a commissioned portrait. The screen at the sitter's right shoulder reveals the contemporary craze for Japonisme, in keeping with the sitter's role as a patron of taste.

更多來自 維多利亞時代、前拉斐爾派及英國印象派藝術

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