A FINE SILVER-GILT FILIGREE BOX
A FINE SILVER-GILT FILIGREE BOX
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A FINE SILVER-GILT FILIGREE BOX

GOA, WESTERN INDIA, 17TH CENTURY

Details
A FINE SILVER-GILT FILIGREE BOX
GOA, WESTERN INDIA, 17TH CENTURY
On four feet, of rectangular form, with cusped skirting, with straight panels rising to an hinged raised and flat lid, each panels with a tight filigree decoration consisting of an intricate ground of scrolling foliate motifs, the front and back with a cusped medallion with wider borders, one applied with flower heads, the top and sides with a central floral quatrefoil issuing undulating tendrils, with two handles worked in the shape of facing dolphins, the clasp worked as a floral spray
4 ¾ x 5 ½ x 4in. (12 x 14 x 10.2in.)

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Romain Pingannaud
Romain Pingannaud

Lot Essay

Two closely related caskets, one of silver, the other of parcel-gilt silver and both dated to the 17th century are at Metropolitan Museum of Art and the Hispanic Society of America (Navina Najat Haidar and Marika Sardar, Sultans of Deccan India 1500-1700. Opulence and Fantasy, exhibition catalogue, New York, 2015, cats.184 and 185, p.313). In their discussion on those caskets, the authors write of the advances made in Goa in gold and silverwork, notably in objects with gold filigree. The technique was known from the end of the 16th century. One of the most spectacular examples, now in the Graça Monastery in Lisbon, was commissioned by Viceroy Matias de Albuquerque around 1597 (Jorge Flores and Nuno Vassallo e Silva (eds.), Goa and the Great Mughal, exhibition catalogue, Lisbon, 2004, cat.49, p.94). Haidar and Sardar however suggest that the Metropolitan Museum examples, as this one, are influenced by English filigree which became popular in the 17th century (Haidar and Sardar, op.cit., p.314). A closely related filigree casket, although in gold, sold at Christie's, London, 10 July 2008, lot 101.

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