A FINE AND EXTREMELY RARE GILT-BRONZE FIGURE OF AMITAYUS
A FINE AND EXTREMELY RARE GILT-BRONZE FIGURE OF AMITAYUS
A FINE AND EXTREMELY RARE GILT-BRONZE FIGURE OF AMITAYUS
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A FINE AND EXTREMELY RARE GILT-BRONZE FIGURE OF AMITAYUS
5 更多
PROPERTY FROM A EUROPEAN PRIVATE COLLECTION 
明永樂  鎏金銅無量壽佛  《大明永樂年施》楷書刻款

YONGLE SIX-CHARACTER PRESENTATION MARK AND OF THE PERIOD (1403-1424)

細節
頭戴五葉寶冠,長髮懸地,雙手作結定印,手心托甘露缽,全身飾珍寶瓔珞,天衣自腕曲折飄下。蓮座上自左至右陰刻「大明永樂年施」楷書款識。底板刻有十字交杵紋,邊沿密合,似未開過。整體造型優美,比例勻稱,為永樂造像中難得一見之佳作。
此尊無量壽佛屬於永樂造像中較小型的作品。Speelman舊藏一尊彌勒菩薩像,亦屬此型作品,其後於2006年10月7日於香港蘇富比拍賣,拍品803號。兩尊造像身量相仿,風格卻不盡相同,此尊於細節上的處理更顯精巧,如缽內甘露的表現手法及足上的裝飾,更完整得體現出明初鑄造工藝的精湛。
來源
紐約蘇富比,2000年3月23日,拍品87號

榮譽呈獻

Ruben Lien
Ruben Lien

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拍品專文

The present example belongs to a very rare group of smaller sized, standing Buddhist images from the Ming dynasty Yongle period that are finely and skilfully cast. Another such example is the gilt-bronze standing figure of Sakyamuni of similar height from the Speelman Collection, sold at Sothebys Hong Kong, 7 October 2006, lot 803.
The modelling of the present Amitabha goes further in that it displays unusually intricate details including the wave-design decorating the inside of the alms bowl, the bejewelled feet, and the long strands of hair falling over its back (see back cover).
Buddhist images from the first half of the fifteenth century were greatly influenced by the art of Tibet. In the preceding century under the Yuan Dynasty, the authority of Mongol rulers had become closely associated with Tibetan Buddhist or Lamaist rituals. The tradition of Lamaist art continued into the Ming period and prevailed in works of art such as the present sculpture.

更多來自 觀佛三昧: 中國佛教藝術

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