A RARE CLOISONNE ENAMEL POMEGRANATE-FORM VASE
A RARE CLOISONNE ENAMEL POMEGRANATE-FORM VASE
A RARE CLOISONNE ENAMEL POMEGRANATE-FORM VASE
2 更多
明末/清初 掐絲琺瑯纏枝蓮紋石榴式水丞

LATE MING-EARLY QING DYNASTY, 17TH CENTURY

細節
水丞,石榴式,口部呈五瓣狀。通體天藍色琺瑯釉為地色,其上裝飾紅、藍、白、綠四朵纏枝勾蓮紋,花紋飽滿,釉色鮮豔,金色光亮。石榴,因其多籽,而有多子之吉祥寓意,成為明清時期經典吉祥裝飾主題。此器雖無款識,但從琺瑯釉色和纏枝蓮的構圖可以斷定為具有晚明至清初風格的琺瑯器。
北京故宮藏有一件近乎相同的石榴尊,但琺瑯質地較為黯淡粗糙,載於中國美術分類全集《中國金銀玻璃琺瑯器全集》北京,2002年,圖版141號(圖一)。相同器形亦見於同期單色釉器,如北京故宮清宮舊藏雍正款青金藍釉石榴尊,參見《北京故宮博物院藏文物珍品大系 — 顏色釉》,香港商務印書館,1999年,頁218,圖196。

榮譽呈獻

Ruben Lien
Ruben Lien

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Compare to a very similar cloisonne pomegranate-form vessel dated to the early Qing period in the Palace Museum, Beijing, illustrated in Zhongguo jinyin boli falangqi quanji - 5 - falangqi (1), Beijing, 2002. fig. 141. (fig. 1) It is interesting to note that the current form is also found on porcelain of this period, such as a Yongzheng-marked lapis-lazuli-type glazed example, published in The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, Hong Kong, 1999, p. 218, no. 196.
Another very interesting feature of this vase is the way the lotus has been rendered. The lotus blooms with curled ends on their leaves and the incorporation of ruyi-shaped petals, points to a 17th century date. Compare the style of the lotus on the present example to the one on a barrel-shaped vase, illustrated in Chinese Cloisonne: The Pierre Uldry Collection, London, 1989, pl. 186, which is also dated to the 17th century.

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