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拍品專文
Jun shallow bowls of this group are divided into three styles, and is often catalogued as 'brush washers'. The first of circular mouth rim with drum-nail bosses on the exterior such as the 'number nine' example from the R.F.A. Riesco Collection, sold at Christie's Hong Kong, 27 November 2013, lot 3102. The second style is moulded with six bracket lobes at the flatterned rim, such as the bowl formerly from the Robert Chang Collection, 'number seven', sold at Christie's New York, 26 March 2003, lot 227; and the third is of six-petalled lobes such as the present example. The only other known bowl incised with the numeral six appears to be a grape-purple glaze bowl in the National Palace Museum, illustrated in Chun Ware of the Sung Dynasty, Hong Kong, CAFA, 1961, p. 60, pls. 18 and 18a.
Of this six-petalled form is a bowl, catalogued as a brush washer, in the Qing Court Collection, illustrated in Porcelain of the Song Dynasty (I), The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1996, p. 37, no. 32, with a purple glaze and number 'ten' mark. Four further examples are in the National Palace Museum, illustrated in Chun Ware, A Panorama of Ceramics in the Collection of the National Palace Museum, 1999, pp. 116-123, nos. 41-44, with moon-white glaze (number nine); azure and lilac glaze (number four); grape-purple glaze (number seven); and rose-purple glaze (number eight) respectively. A 'number three' of rose-purple glaze in the National Palace Museum is illustrated The Enchanting Splendor of Vases and Planters, A Special Exhibition of Flower Vessels from the Ming and Qing Dynasties, 2014, pp. 50-51, no. I-10. Two other 'number seven' six-petalled bowls were sold at auction, the first at Sotheby's Hong Kong, 26 October 1993, lot 14; and from the Saint Louis Art Museum Collection, sold at Christie's New York, 30 March 2005, lot 328. It is interesting to note that this hexagonal form was inspired by metal work such as the silver plate excavated from Luoyang, dating to the the Song dynasty, illustrated in Chun Ware, A Panorama of Ceramics in the Collection of the National Palace Museum, 1999, p. 17, reference no. 26, after Wenwu (1992).
Of this six-petalled form is a bowl, catalogued as a brush washer, in the Qing Court Collection, illustrated in Porcelain of the Song Dynasty (I), The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1996, p. 37, no. 32, with a purple glaze and number 'ten' mark. Four further examples are in the National Palace Museum, illustrated in Chun Ware, A Panorama of Ceramics in the Collection of the National Palace Museum, 1999, pp. 116-123, nos. 41-44, with moon-white glaze (number nine); azure and lilac glaze (number four); grape-purple glaze (number seven); and rose-purple glaze (number eight) respectively. A 'number three' of rose-purple glaze in the National Palace Museum is illustrated The Enchanting Splendor of Vases and Planters, A Special Exhibition of Flower Vessels from the Ming and Qing Dynasties, 2014, pp. 50-51, no. I-10. Two other 'number seven' six-petalled bowls were sold at auction, the first at Sotheby's Hong Kong, 26 October 1993, lot 14; and from the Saint Louis Art Museum Collection, sold at Christie's New York, 30 March 2005, lot 328. It is interesting to note that this hexagonal form was inspired by metal work such as the silver plate excavated from Luoyang, dating to the the Song dynasty, illustrated in Chun Ware, A Panorama of Ceramics in the Collection of the National Palace Museum, 1999, p. 17, reference no. 26, after Wenwu (1992).