Jacques Majorelle (French, 1886-1962)
Artist's Resale Right ("Droit de Suite"). Artist's… 顯示更多
Jacques Majorelle (French, 1886-1962)

Assikis Haut Sexaoua, Grand Atlas

細節
Jacques Majorelle (French, 1886-1962)
Assikis Haut Sexaoua, Grand Atlas
signed, inscribed and dated 'j. majorelle/assikis/H t Sexaoua 1929' (lower left)
gouache and mixed media, heightened with silver on board
24 ¾ x 19 in. (62.9 x 48.3 cm.)
出版
F. Marcilhac, Les Orientalistes, 'La vie et l’œuvre de Jacques Majorelle (1886-1962)', Courbevoie,1988, vol. 7, pp. 152-153 (illustrated).
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Alexandra McMorrow
Alexandra McMorrow

查閱狀況報告或聯絡我們查詢更多拍品資料

登入
瀏覽狀況報告

拍品專文

Drawn by the allure of remote landscapes and exotic cultures, like many contemporaries of his time, French-born Jacques Majorelle sought inspiration beyond the boundaries of Continental Europe. Traveling and painting throughout Africa, Majorelle eventually settled in Morocco, where he lived from 1917.

It is to this period of exploration and travel that the present lot belongs, recording in minute detail the topography and architecture of a land that seemed both preserved from, and alien to, Western culture.

Emphasizing the sharp verticality of the stepped mountain village, Majorelle exploited the height of his canvas, recording the flat, rock-hewn houses along a continuous diagonal that cuts across the centre of the canvas. To underscore the desolate nature of the rocky terrain, a muted palette of flat blues and greys is employed throughout the composition. The overall effect is of a relentlessly arid and seemingly unending mountain expanse, where even the small patch of sky, visible at the top right of the canvas becomes an echo of the slate grey landscape below.

Two figures climb their way along a craggy path, activating the scene as they move beneath the heavy sun. Their reduced scale underscoring the vast openness of the landscape beyond.

更多來自 十九世紀歐洲及東方主義藝術

查看全部
查看全部