拍品專文
For two comparable Qajar qalamdans, one with similar landscape panoramic views, the other with three quarter portrait of a standing lady and signed Muhammad Javad, see Nasser D. Khalili, B.W. Robinson and Tim Stanley, Lacquer of the Islamic Lands, Part Two, London, 1996, cat. 450 and 468, p. 225-235
For further discussion on Muhammad Javad, see Karimzadeh Tabrizi, The Lives and Art of Old Painters of Iran, London, 1991, p. 138
For further discussion on Muhammad Javad, see Karimzadeh Tabrizi, The Lives and Art of Old Painters of Iran, London, 1991, p. 138