拍品 14
14
AN ATTIC RED-FIGURED KYLIX
AN ATTIC RED-FIGURED KYLIX

ATTRIBUTED TO THE EUAION PAINTER, CIRCA 450-440 B.C.

細節
AN ATTIC RED-FIGURED KYLIX
ATTRIBUTED TO THE EUAION PAINTER, CIRCA 450-440 B.C.
One side with a central satyr striding to the right, holding a rhyton in his right hand, looking back towards a maenad, wearing a peplos and holding a thrysos in her right hand, another satyr behind her playing the aulos, to the right of the central satyr another maenad, wearing a chiton and sakkos, a large skyphos in her left hand, an oinochoe in her right, outstretched towards another satyr, holding a thrysos in his left hand, the other side similar with another central satyr facing left, holding a rhyton in his left hand, his right outstretched towards a maenad striding to the right and holding a thrysos in her right hand, a satyr behind her grasping her ependytes, to the right of the central satyr a peplos-clad maenad facing right, grasping a satyr in her outstretched left hand, a torch in her right, band of meander and crossed squares below, band of ovolo at the rim, palmettes flanking and under the handles, the central tondo with a satyr pursuing a maenad, wearing a sakkos, chiton and ependytes and holding a thrysos in her right hand, band of tongues as groundline, encircled with a band of meander with crossed squares
17 ¾ in. (45 cm.) diam. inc. handles
來源
Private collection, Germany, acquired before 1990.
with Galerie am Museum Jürgen Haering, Freiburg.
Prof. H.-H. Heissmeyer collection, Schwäbisch Hall, acquired from the above in 1998 (inv. no. 18).
Beazley Archive no. 9024854.
出版
Vasen, 2008, no. 12 and Vases, 2015, p. 45, no. 15.

榮譽呈獻

Georgiana Aitken
Georgiana Aitken
+44 (0)20 7752 3002

拍品專文

The Euaion Painter is thought to have been a student of the renowned painter Douris, and may have even taken over and continued his workshop into the next generation. He is considered a master of the High Classical period of red-figure painting, and is renowned for his work on cups, which are distinguishable by tall, thin figures executed with little overlapping. Scenes of Dionysiac revels, as with the present lot, are amongst his most favoured.

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