A PAINTING OF HVASHANG
Sold to benefit the Rubin Museum acquisitions fund
A PAINTING OF HVASHANG

TIBET, 17TH/18TH CENTURY

Details
A PAINTING OF HVASHANG
TIBET, 17TH/18TH CENTURY
The portly patron seated on cushion with his shoes before him, wearing a multi-colored dhoti, beaded necklace and jovial expression, surrounded by diminutive worshippers and with the five tatagathas above
Opaque pigments and gold on textile
25 x 20 ½ in. (63.5 x 52.1 cm.)
Provenance
The Shelley and Donald Rubin Collection, acquired in New York, 24 March 2000
Rubin Museum of Art, gifted from the above in 2006
Literature
Himalayan Art Resource (himalayanart.org), item no. 959

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Sandhya Jain-Patel
Sandhya Jain-Patel

Lot Essay

Hvashang was the Chinese patron to the Sixteen Great Arhats. He is only depicted in compositions with these figures and the Buddha, either in a single painting containing all twenty-three figures, or in sets of paintings, from which the present work likely comes. He is often depicted as a portly figure, with bald head and a dark complexion. He usually holds a mala, a garland of prayer beads, and a bowl of offerings, and is surrounded by numerous small children.

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