EGYPT, SECOND HALF 11TH CENTURY

細節

A PAIR OF FATIMID GOLD EARRINGS
EGYPT, SECOND HALF 11TH CENTURY
Each earring widening from the simple loop to a wide base, the sides each with a central rosette and a raised knop surrounded by bands of filigree spirals
1¼in. (3.1cm.) diam. at largest

來源

Private Collection, Switzerland, stated on 1998 invoice

注意事項

These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Andrew Butler-Wheelhouse

abutler-wheelhouse@christies.com +44 (0) 20 7389 2196

拍品專文

Amongst the luxury arts produced under the Fatimids, the gold jewellery stands out for its innovation and complexity (Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby and Navina Najat Haidar (eds.), Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art, New York, 2011, pp.151-52, no.101). The crescent moon shape filled with filigree or openwork s-shaped curves such as ours seem to have dominated production. Literary sources mention that large amounts of jewellery was produced for royal and patrician patrons but little now survives, probably because much was melted down for currency or re-use. A very similar pair of earrings in the Metropolitan Museum of Art (inv.no.1979.278.2a,b; https://www.metmuseum.org/collection/the-collection-online/search/452939?rpp=30&pg=1&ft=FATIMID%2C%2BGOLD&pos=2&imgno=2&tabname=label).

EGYPT, SECOND HALF 11TH CENTURY

榮譽呈獻

拍品專文

更多來自 伊斯蘭及印度藝術

更多來自伊斯蘭及印度藝術