A Japanese Arita blue and white V.O.C. dish
A Japanese Arita blue and white V.O.C. dish

Late 17th Century

细节
A Japanese Arita blue and white V.O.C. dish
Late 17th Century
Painted to the central roundel with the V.O.C. monogram, surrounded by two ho-o birds (phoenix) among pomegranate and camellia, the six radiating border panels at the rim enclosing alternatively bamboo and peony divided by narrow bands of floral scrolls
35.9 cm. diam.
出版
The British Museum, 1990, p. 94, no. 32; David S. Howard, The Choice of the Private Trader, London, 1994, p. 39, no. 4.
Ko-Imari Porcelain from the Collection of Oliver Impey, Barry Davies Oriental Art Ltd., London, 1997, p. 22. no. 4.
Maura Rinaldi, Kraak Porcelain, London, 1989, p. 226.

拍品专文

The porcelain in the second half of the seventeenth century ordered by the Dutch from Deshima Island were copied from Chinese Wanli 'kraak' porcelain. With the collapse of the Ming Dynasty in China in 1644 Holland's great source of supply of Wanli blue and white 'kraak' porcelain suddenly came to an end, and as a consequence the Dutch turned their attention to Japan. Dishes with the V.O.C. monogram are naturally exemplary of East West relations in ceramics and the role the company played in them. No special mention is made of them in the trade documents, but it can be taken that they were ordered for the use of the company staff at the factory on Deshima and possibly also in Batavia and other factories in Asia.

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