Jan Wiegers (1893-1959)
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Jan Wiegers (1893-1959)

The card players

細節
Jan Wiegers (1893-1959)
The card players
remnants of the signature and dated 'J...gers '21' (lower left)
wax paint on canvas
100.5 x 80 cm.
Painted in 1921
來源
Kunsthandel Monet, Amsterdam.
Galerie Valentien, Stuttgart.
Acquired from the above by the present owner in 1998.
展覽
Leeuwarden, Prinsessehof Leeuwarden, 1922 (according to a review in the Leeuwarder Courant from 10 March 1922).
Groningen, Groninger Museum, Jan Wiegers 1893-1959, 13 October 2001 - 3 March 2002, (illustrated p. 128).
Davos, Kirchner Museum, Jan Wiegers, die Schweizer jahre, 2 June - 27 October 2002, no. 7.
Bern, Kunstmuseum Bern/Groningen, Groninger Museum/Chur, Bündner Kunstmuseum, Expressionismus aus den Bergen: Ernst Ludwig Kirchner, Philipp Bauknecht, Jan Wiegers und die Gruppe Rot-Blau, 27 April 2007 - 25 May 2008, no. 163 (illustrated p. 134).
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

拍品專文

The present lot is one of the earliest dated works by Wiegers that shows the influence of Ernst Ludwig Kirchner on his work. It is very likely that De Kaartspelers (The Card Players) was made during his first visit to Davos. One of his sketchbooks (now in the collection of the Groninger Museum) shows a drawing that certainly has been Wiegers starting point for the composition of the present lot. (see fig. 1).

Illness brought Wiegers to Davos in 1920-21, where he became acquainted with Kirchner, one of the protagonists of German Expressionism. Kirchner's art, his theories and lifestyle made a lasting impression on Wiegers, inspiring him in technique, colour and subject matter. It has been suggested that the figure represented at the top left is Kirchner. (see: H. Steenbruggen a.o., Jan Wiegers 1893-1959: de ceremoniemeester heeft het spel laten beginnen, Groningen 2001, p. 76.) This painting belongs to a sequence of works closely related to Kirchner. During the summer of 1921 Wiegers and Kirchner met on an almost daily base to work together, exchange ideas or simply to have a drink and play a game.

The artist's association De Ploeg was founded in 1918, without a formal or artistic agenda. At an early stage the group was inspired by Jan Wiegers. After returning from Switzerland to Groningen Wiegers introduced the newly acquired Expressionism to his friends Jan Altink (1885-1971), Hendrik Nicolaas Werkman (1882-1945) and Johan Dijkstra (1896-1978).

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