拍品專文
This richly carved bureau is particularly distinguished by its bold base headed by lion masks and pendant acanthus. The 1954 Dictionary entry notes that ‘the proportions and the quality of the burr walnut veneer are remarkable’. An equally ambitious lion-carved example from the Percival Griffiths collection is illustrated as figure 19 in the Dictionary and recently sold Christie’s, London, 23 May 2012, lot 243; another similar is in the public collections at Fairfax House, York (P. Brown, The Noel Terry Collection of Furniture and Clocks, London, 1987, p. 34, no. 34). The Museum retains another Griffiths bureau surmounted by a mirror, also an Untermyer bequest (illustrated in Y. Hackenbroch, fig. 269-270, pl. 230-231).
HENRY HIRSCH
The bureau formed part of the Mayfair collection at 23 Park Lane assembled from 1900 by the connoisseur Henry Hirsch (d. 1931) (see P. Macquoid, 'Mr. Henry Hirsch's Furniture I & II', Country Life, 25 October and 15 November 1924). Macquoid while lauding Henry Hirsch’s taste and accomplishment noted that this lion-carved bureau represented ‘a fashion that was eagerly patronized by such of the aristocracy as laid down the laws of taste toward the end of George I’s reign’.
HENRY HIRSCH
The bureau formed part of the Mayfair collection at 23 Park Lane assembled from 1900 by the connoisseur Henry Hirsch (d. 1931) (see P. Macquoid, 'Mr. Henry Hirsch's Furniture I & II', Country Life, 25 October and 15 November 1924). Macquoid while lauding Henry Hirsch’s taste and accomplishment noted that this lion-carved bureau represented ‘a fashion that was eagerly patronized by such of the aristocracy as laid down the laws of taste toward the end of George I’s reign’.