CONTINENTAL SCHOOL, CIRCA 1730
Prospective purchasers are advised that several co… Read more
CONTINENTAL SCHOOL, CIRCA 1730

Details
CONTINENTAL SCHOOL, CIRCA 1730
Prince James Francis Edward Stuart (1688-1766), known as The Old Pretender, in gilt-studded and bordered armour, ermine-lined red velvet cloak, wearing the blue sash of the Order of the Garter
On ivory
Oval, 82 mm. high, gilt-metal frame, engraved on reverse 'James / Prince of Wales / (the First Pretender) / B. 1688. D. 1766'
Provenance
The late Mrs T.S. Eliot (1926-2012) Collection, London.
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Victoria Drummond
Victoria Drummond

Lot Essay

The sitter was the only surviving son of deposed King James II and VII and his second wife, Mary of Modena. Due to the Glorious Revolution which took place shortly after James's birth, he grew up in exile with his family in France. On his father's death in 1701, his cousin, Louis XIV, openly acknowledged him as the rightful King of England, Scotland and Ireland, adding strength to the Jacobite cause, which culminated in the unsuccessful 'Fifteen' Jacobite rising in Scotland. He spent the remainder of his life in Rome, marrying Maria Clementina Sobieska (see previous lot) in 1719. They had two sons, Charles Edward (1720-1788), known as the Young Pretender, or Bonnie Prince Charlie, and Henry Benedict (1725-1807), Cardinal of the Roman Catholic Church.
The present work appears to be a variant of that by Martin van Meytens the Younger (1695-1770), painted in 1725 when the artist was briefly in Rome (whereabouts currently unknown). The British artist E. Gill (d. 1749) made several copies of this portrait (including one in the collection of the Scottish National Portrait Gallery, inv. no. PG 1836), as well as the matching portrait of Maria Clementina, which were disseminated to Jacobite supporters and widely copied.

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