A GEORGE V SILVER PILGRIM-FLASK
COLLECTION OF AN ITALIAN PRINCESSLOTS 706-713
A GEORGE V SILVER PILGRIM-FLASK

MARK OF SEBASTIAN HENRY GARRARD, LONDON, 1913

Details
A GEORGE V SILVER PILGRIM-FLASK
MARK OF SEBASTIAN HENRY GARRARD, LONDON, 1913
Compressed pear-shape and on spreading foot with egg and dart band applied to the stem, the rim and lower body with an applied band of lappeted decoration, the sides with applied female masks supporting chains to the detachable cover, engraved with a crest, the foot engraved with an inscription, marked near rim and on cover bezel, further stamped underneath 'Garrard & Co. Ltd. Albermarle Street London W.'
21 ½ in. (54.5 cm.) high
133 oz. 6 dwt. (4,147 gr.)
The inscription reads 'The Gift of the Duke and Duchess of Portland to Mr. and Mrs. T. Warner Turner.'

The crest is that of Turner for Thomas Warner Turner (1860-1939), land agent and secretary to William, 6th Duke of Portland (1857-1943).
Provenance
Presented by William Cavendish-Bentinck, 6th Duke of Portland (1857-1943) and his wife Winifred Anna, Duchess of Portland (1863-1954) to their land agent Thomas Warner Turner (1860-1939) and his wife Helen possibly as a silver wedding present in 1914.

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Victoria Drummond
Victoria Drummond

Lot Essay

Thomas Warner Turner succeeded his father Frederick John Turner (1824-1906) as the Duke of Portland's land agent at Welbeck Abbey, Nottinghamshire in 1906.

The Collection of an Italian Princess
The present collection of silver, including nine pilgrim flasks, must be one of the most comprehensive to exist in private hands. The collection of pilgrim flasks is part of a larger context, an art collection built with beauty and quality as guiding principles, by a charismatic Italian collector with an eye for excellence.

Pilgrim Flasks
The pear-shaped form of the pilgrim flask has its roots in the leather water flask carried by the pilgrim or traveller of the Middle Ages. Particularly grand flasks with fine cut-card work were produced in the late 17th and early 18th century. Contemporary prints, such as Martin Engelbrecht's representation of the great silver buffet in the Rittersaal at the Berliner Schloss, circa 1708, indicate that they were arranged on side buffets during formal banquets. When placed in wine cisterns, they also served to decant wine.

Late 17th and early 18th century examples provided the inspiration for Edward Farrell and Robert Garrard in the 19th century. These revival pieces were also used as grand display plate. Many of the examples by Garrard were presented by the Royal Families of Europe, such as those exhibited, London, Sotheby's, English Silver Treasures from the Kremlin, 1991, no. 111, which were given by the Royal Families of Greece and Denmark to the Tsar Alexander III on his marriage to Marie Fedorovna in 1866. Another Royal pair by Garrard of 1866 matching the present pair was given to King Christian IX of Denmark, and was sold in the Collection of King George I of the Hellenes, Christie's, London, 24 January 2007, lot 303. A pair of pilgrim flasks in the Royal Collection are illustrated in E.A. Jones, The Gold and Silver of Windsor Castle, London, 1911, p. 36.

Lots 707, 708 and 709 are closely related to the design of the 1710 pilgrim flask by Pierre Platel (1659-1719), currently in the collection of the Victoria and Albert Museum, London (museum no. M.854&:2-1927). Platel was one of the most successful of the Huguenot craftsmen working in London and Paul de Lamerie was among his apprentices. Huguenot silversmiths brought designs and techniques to Britain, among them the concept of the large pilgrim flask for use as display. The Platel example is engraved with the arms of General Charles Churchill (1656-1714), and later those of his brother John Churchill, first Duke of Marlborough (1650-1722).

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