Andries van Eertvelt (1590-1652)
All sold and unsold lots marked with a filled squa… 显示更多 VARIOUS PROPERTIES
Andries van Eertvelt (1590-1652)

The Holy League's fleet lying off a harbour, thought to be Genoa, before the battle of Lepanto, with figures loading arms and armour onto a boat in the foreground with a dignitary looking on

细节
Andries van Eertvelt (1590-1652)
The Holy League's fleet lying off a harbour, thought to be Genoa, before the battle of Lepanto, with figures loading arms and armour onto a boat in the foreground with a dignitary looking on
oil on canvas
37 ½ x 55 in. (95.3 x 139.7 cm.)
注意事项
All sold and unsold lots marked with a filled square in the catalogue that are not cleared from Christie’s by 5:00 pm on the day of the sale, and all sold and unsold lots not cleared from Christie’s by 5:00 pm on the fifth Friday following the sale, will be removed to the warehouse of ‘Cadogan Tate’. Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.

拍品专文

The battle of Lepanto took place on 7 October 1571 in the Gulf of Patras, off western Greece. It was the first major Ottoman defeat by the Christian powers and heralded the end of Turkish supremacy in the Mediterranean. This decisive five-hour battle was fought between the Holy League (an uneasy coalition between Venice, the Papacy, Spain, the Republic of Genoa, the Duchy of Savoy, the Knights of Malta and others) under John of Austria, and the Ottomans, under Uluç Ali Pasha. The Holy League’s fleet consisted of 206 galleys and six galeasses (converted merchant galleys with artillery), and carried around 30,000 fighting men, which was evenly matched by the Ottoman fleet, which nevertheless suffered a humiliating defeat. It was the final major battle between oared vessels, and was celebrated by artists at the time, as well as by later artists. Given the Genoan involvement under Giovanni Andrea Doria, who commanded 53 galleys for the Holy League, it seems quite probable that Andries van Eertvelt painted this picture for a Genoese patron, in circa 1627/30.

Van Eertvelt was a pupil of Hendrik Cornelisz Vroom (1566-1640) and, in the early part of his career, painted small seascapes in the manner of his master. It was only later, having been influenced by various visits to Italy, that he decided to paint on a grander and larger scale.

更多来自 <strong>维多利亚时代、前拉斐尔派及英国印象派艺术、海洋艺术、运动及野生动物艺术</strong>

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