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Various Properties
Rembrandt Harmensz. van Rijn
The Artist drawing from the Model
Details
Rembrandt Harmensz. van Rijn
The Artist drawing from the Model
etching with drypoint and engraving, circa 1639, on laid paper, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
The Artist drawing from the Model
etching with drypoint and engraving, circa 1639, on laid paper, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
Provenance
David Lindsay, Earl of Crawford and Balcarres (1900-1975), then by descent.
Literature
Bartsch, Hollstein 192; Hind 231; New Hollstein 176
Brought to you by
Charlie Scott