A CHIPPENDALE BLOCK-AND-SHELL CARVED MAHOGANY BUREAU TABLE
PROPERTY FROM THE ROSEBROOK COLLECTION
A CHIPPENDALE BLOCK-AND-SHELL CARVED MAHOGANY BUREAU TABLE

PROBABLY THE SHOP OF JOHN TOWNSEND (1733-1809), NEWPORT, 1770-1795

Details
A CHIPPENDALE BLOCK-AND-SHELL CARVED MAHOGANY BUREAU TABLE
PROBABLY THE SHOP OF JOHN TOWNSEND (1733-1809), NEWPORT, 1770-1795
feet replaced
34 in. high, 38 in. wide, 20 ½ in. deep
Provenance
Waterman Family, Providence, Rhode Island
Wayne Pratt, Inc., Woodbury, Connecticut, August 2001
Literature
Johanna McBrien, "A Sense of Place," Antiques and Fine Art (Winter/Spring 2009), p. 210.

Brought to you by

Abby Starliper
Abby Starliper

Lot Essay

One of the most iconic designs from eighteenth-century America, the carved shells on this bureau table illustrate the masterful handiwork of renowned Newport cabinetmaker, John Townsend (1733-1809). With the inner C-scroll overlapping the lowermost lobes, the shells are attributed to Townsend’s authorship as they are distinct to the body of work signed, labeled or otherwise firmly ascribed to his shop and contrast with most other interpretations of this design, which feature lowermost lobes that lie atop the inner C-scroll device. Furthermore, with the cross-hatched interiors, the shells are typical of the cabinetmaker’s later work. Similar embellishment is seen on his forms documented to the late 1780s and early 1790s, but as Morrison H. Heckscher notes, may have been used by the cabinetmaker considerably earlier. As declared by Heckscher, “All that is certain is that Townsend had found his ideal shell and made no further changes” (Morrison H. Heckscher, John Townsend: Newport Cabinetmaker (New York, 2005), p. 105; for labeled forms with identical shells, see Heckscher, cats. 19-22, pp. 115-125).

More from American Furniture, Folk Art and Silver

View All
View All