19TH CENTURY

來源

Ink stone:
Sydney L. Moss Ltd, 1983.
Private collection, New York.
Nicholas Grindley, London, 1998.
Ink cake:
Sanuk, San Francisco.

出版

Ink stone:
S. Moss, Documentary Chinese Works of Art in Scholars' Taste, London, 1983, p 162-3, no. 105.
S. Little, Spirit Stones of China, the Ian and Susan Wilson Collection of Chinese Stones, Paintings, and Related Scholars' Objects, Chicago, 1999, no. 64.
M. Knight, 'Scholar's Objects in the Ian and Susan Wilson Collection', Orientations, May 1999, p. 51, fig. 5.

展覽

Ink stone:
Brooklyn Museum, New York, 1989-1998. TL. 1989.147.13.
S. Little, Spirit Stones of China, the Ian and Susan Wilson Collection of Chinese Stones, Paintings, and Related Scholars' Objects, Chicago, 1999, no. 64.

榮譽呈獻

Michael Bass

asianartny@christies.com +1 212 636 2180

拍品專文

The ink stone is modeled after a Ming dynasty qin named Tianlai, which bears the name of Sun Deng and a seal, gonghe, and is in the collection of the Palace Museum, Beijing.
https://www.dpm.org.cn/shtml/117/@/115422.html

Sun Deng, style name Gonghe, was a Daoist scholar famous for playing the one-stringed lute, who was active during the Wei dynasty of the Three Kingdoms period (AD 220-265).

Jianyingzhai was the name of an ink cake shop owned by Hu Aitang, who was active during the Daoguang period (1821-1850). Another ink cake with a Jianyingzhai mark and dated to the Qing dynasty, after 1850, is in the collection of the Metropolitan Museum of Art (30.76.195, Rogers Fund 1929).
https://metmuseum.org/exhibitions/view?exhibitionId=%7B0FFD4537-CC07-4067-B93F-B53755F33FA8%7D=41775

19TH CENTURY

榮譽呈獻

拍品專文

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