拍品专文
The hall mark, Jingwei tang zhi, which can be translated as 'Made for the Hall of Reverent Awe', is found on blue-glazed as well as celadon-glazed vessels with brown-dressed rims, of various shapes and sizes.
See Ming Wilson, Rare Marks on Chinese Porcelain, London, 1998, p. 114, where the author references a celadon-glazed bowl with this mark, noting that Jingwei Tang was the studio name of Li Hu, alias Duanren, style name Zhucun, a native of Cixi, but that it has also "been suggested that porcelains bearing the Jingwei Tang mark once belonged to the Manchu high official Agedunbu." Pieces bearing this mark appear to have been made during the Yongzheng and Qianlong periods, as well as the Jiaqing and Daoguang periods, perhaps indicating that the hall was "in use for several generations."
See Ming Wilson, Rare Marks on Chinese Porcelain, London, 1998, p. 114, where the author references a celadon-glazed bowl with this mark, noting that Jingwei Tang was the studio name of Li Hu, alias Duanren, style name Zhucun, a native of Cixi, but that it has also "been suggested that porcelains bearing the Jingwei Tang mark once belonged to the Manchu high official Agedunbu." Pieces bearing this mark appear to have been made during the Yongzheng and Qianlong periods, as well as the Jiaqing and Daoguang periods, perhaps indicating that the hall was "in use for several generations."