Lot Essay
A very comparable altar wing by Jan van Dornicke, depicting the Resurrection, is in the Chapel du Saint-Sang, Bruges.
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Circuit judge and national historian Dr. Paul Beck (Altshausen 1845-1915 Ravensburg) built up an important collection of medieval paintings at the end of the 19th century. This collection included the so-called Ulmer Hochaltar, a significant example of Swabian art from circa 1400, which is conserved in the Staatsgalerie, Stuttgart. This work was, alongside a group of three rosary paintings (lots 65-66), acquired by Beck from the collection of dean Dr. Dursch in Rottweil in 1881. We are grateful to Dr. Bernd Konrad for his help in cataloguing lots 65-69 from this collection.
The Master of 1518, called Jan van Dornicke (Antwerp c.1470-c.1527)
The Resurrection; right wing of an altar piece
Details
The Master of 1518, called Jan van Dornicke (Antwerp c.1470-c.1527)
The Resurrection; right wing of an altar piece
oil on panel, shaped top, laid down on panel, with the upper left corner enlarged to a rectangular shape
93.5 x 31 cm.
The Resurrection; right wing of an altar piece
oil on panel, shaped top, laid down on panel, with the upper left corner enlarged to a rectangular shape
93.5 x 31 cm.
Provenance
Dr. Paul Anselm Franz Beck (1845-1915); thence by descent to the present family members.
Brought to you by
Kimberley Oldenburg