A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
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Prospective purchasers are advised that several co… Read more THE PROPERTY OF A GENTLEMAN
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE

BY MAISON GIROUX, THE MARQUETRY BY FERDINAND DUVINAGE, PARIS, CIRCA 1880

Details
A FRENCH ORMOLU AND FRUITWOOD AND CUT-BRASS INLAID IVORY MARQUETRY JARDINIERE
BY MAISON GIROUX, THE MARQUETRY BY FERDINAND DUVINAGE, PARIS, CIRCA 1880
Inlaid overall with fruiting foliage, with 'FD Bte' monogram, the lower rim signed 'MON ALPH. GIROUX PARIS'
8 in. (20 cm.) high; 18 ½ in. (47 cm.) wide; 9 in. (23 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Adam Kulewicz
Adam Kulewicz

Lot Essay

With its sumptuous ivory mosaic decoration, this jardinière is a fine example of the luxurious objets d'art created by the firm Maison Alphonse Giroux. Founded in Paris in the late 18th century, the Maison Giroux quickly evolved into one of the foremost purveyors of objets de luxe with a sophisticated clientele including Louis XVIII and Charles X. Under the leadership of Ferdinand Duvinage and his wife, Rosalie-Eléonore-Antoinette, they developed a special technique patented as ‘une mosaïque combiné avec cloisonnement métallique’ which is splendidly manifest in the present lot. These unique objects were first shown at the 1878 Exposition universelle in Paris. As Daniëlle Kisluk-Grosheide suggests, they are almost always marked and etched FD and Bté (short for ‘breveté’ or patent) and were likely created only between 1877, when the patent was granted, and 1882 when Madame Duvinage ceded her directorship of the firm (D. Kisluk-Grosheide, 'Maison Giroux and its 'Oriental’ Marquetry Technique’, The Journal of The Furniture History Society, vol. XXXV, 1999, p. 154, 162.).

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