ZAO WOU-KI (1920-2013)
Artist's Resale Right ("droit de Suite"). If the … 顯示更多
ZAO WOU-KI (1920-2013)

Sans titre

細節
ZAO WOU-KI (1920-2013)
Sans titre
signé en chinois et en pinyin et dédicacé ‘ZAO pour Nada et Marwan Amitiés’ (en bas à droite)
encre de Chine sur papier

65.5 x 68 cm. (25 ¾ x 26 ¾ in.)
Réalisé en 1984.

來源
Collection privée, Europe
注意事項
Artist's Resale Right ("droit de Suite"). If the Artist's Resale Right Regulations 2006 apply to this lot, the buyer also agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime. Import VAT is payable at 5,5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
更多詳情
‘UNTITLED’ ; SIGNED IN CHINESE AND IN PINYIN AND DEDICATED LOWER RIGHT; INDIA INK ON PAPER.
拍場告示
Veuillez noter que ce lot n’est pas en importation temporaire en France.
Please note that this lot is not under temporary import in France.

榮譽呈獻

Valentine Legris
Valentine Legris

拍品專文

L’authenticité de cette œuvre a été confirmée par la Fondation Zao Wou-Ki.
Un certificat d’authenticité signé par Madame Françoise Marquet et daté du 7 octobre 2013 sera remis à l’acquéreur.

"The crumple texture of Xuan paper delivered pleasure to me, which is always different from the straight and smooth canvas. … with the white background, various shades of black, white, grey as well as numerous layers of grey colour are formed by ink". Zao Wou-Ki

'Ink' in Chinese painting is not perceived as a single colour of black. Ink depict object by its characteristic of rendering various tones of colour on paper. Colors of the Chinese paintings can be classified into five - burnt, strong, heavy, light, crystal. The 'white' background is the sixth colour. Henri Michaux once wrote, 'one thousand years ago, Wang Wei, poet and painter, created the most beautiful waterfall, hill, path, garden, sea, pine tree forest, lonely pine tree adjacent to cliff by only one single colour – black. The numerous shades of colour of ink captured the splendid scenery'.

Ink and paper lie at the origin and are a vital force in the painting tradition of East Asia, as well as being common denominator among overseas Chinese artists. Nowhere else is this more evident than when considering the work of artists who travelled to France in the early to mid- 20th century, such as Lin Fengmian, Pan Yuliang, Sanyu, Zao Wou-ki, Chu Teh-Chun, Wu Guanzhong and T'ang Haywen, or US-based Chao Chun-Hsiang. At no point in their artistic careers did they abandon from Chinese ink painting; on the contrary, they injected new meaning into this medium with rich history.

更多來自 當代藝術 (日間拍賣)

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