Two Women Bathing a Child

細節

Henry Moore, O.M., C.H. (1898-1986)
Two Women Bathing a Child
signed ‘Moore’ (lower right)
ink, charcoal and crayon
7 x 10 in. (17.8 x 25.4 cm.)
Executed in 1946.

來源

with Leicester Galleries, London, 1946.
Lady Walston, Cambridge, 1970.
Lord Walston Family Trust, Cambridge, their sale; Christie’s, London, 29 November 1988, lot 311.

出版

R. Melville, Henry Moore, Sculpture and Drawings 1921-1969, London, 1970, pp. 166, 353, no. 358, illustrated.
A. Garrould (ed.), Henry Moore, Complete Drawings 1940-49, Vol. 3, London, 2001, pp. 244-245, no. AG 46.42, HMF 2374, illustrated.

展覽

London, Leicester Galleries, Catalogue of the Exhibitions of Living Irish Art, New Sculpture and Drawings by Henry Moore, October 1946, no. 58.
London, Tate Gallery, Sculpture and Drawings by Henry Moore, May - July 1951, no. 153.

注意事項

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品專文

Inspired by the birth of his daughter, Henry Moore drew numerous domestic scenes during the second half of the 1940s. Unlike his earlier drawings, they were not executed as preparatory studies for sculpture but as an end in themselves, as the artist explains: 'For my early sculptures, I made drawings which were fully realised from one point of view. However, for some years now I have not used a drawing directly for sculpture. I am a sculptor because I want to make the full reality of an object, so that it exists in itself, and I now work by making small models, or maquettes, which can be held in my hand and considered from every angle. As a result my drawing is no longer a handmaiden, a servant of my sculpture - it can follow an independent path. Drawing is still essential to me and an outlet for ideas not necessarily related to my sculpture' (see exhibition catalogue, Henry Moore Drawings 1969-1979, New York, Wildenstein & Co., 1979, p. 6).

Two Women Bathing a Child

拍品專文

更多來自 現代英國及愛爾蘭藝術

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