Details
Chaplin Studios
A quantity of material associated with the Chaplin studios, circa 1920s--1940s, including a cutting continuity list for City Lights, circa 1931, storeyboard sketches and printed set designs for Monsieur Verdoux, circa 1946, publicity photographs and stills from various sets including The Gold Rush, Limelight, Monsieur Verdoux, The Circus, Modern Times and The Great Dictator, largest -- 14x10 5/8in. (35.5x27cm.); Charles Chaplin Film Corporation crew call sheets, various dates, March 1940; various typescript letters, signed, on Charles Chaplin Film Corporation headed paper, one to Wheeler Dryden from Arthur Kelly, October 20th, 1926 and three from Alfred Reeves including one from Reeves to Cecil B. de Mille, October 11th, 1928, thanking him for an invitation; various documents concerning studio rental agreements; a cable and a carbon copy of correspondence between Sydney Chaplin and Charles Schwartz concerning problems with United Artists; a quantity of cheques signed by Sydney Chaplin including one made out to the Charlie Chaplin Film Co, June 24th, 1918; and related material (a lot)
A quantity of material associated with the Chaplin studios, circa 1920s--1940s, including a cutting continuity list for City Lights, circa 1931, storeyboard sketches and printed set designs for Monsieur Verdoux, circa 1946, publicity photographs and stills from various sets including The Gold Rush, Limelight, Monsieur Verdoux, The Circus, Modern Times and The Great Dictator, largest -- 14x10 5/8in. (35.5x27cm.); Charles Chaplin Film Corporation crew call sheets, various dates, March 1940; various typescript letters, signed, on Charles Chaplin Film Corporation headed paper, one to Wheeler Dryden from Arthur Kelly, October 20th, 1926 and three from Alfred Reeves including one from Reeves to Cecil B. de Mille, October 11th, 1928, thanking him for an invitation; various documents concerning studio rental agreements; a cable and a carbon copy of correspondence between Sydney Chaplin and Charles Schwartz concerning problems with United Artists; a quantity of cheques signed by Sydney Chaplin including one made out to the Charlie Chaplin Film Co, June 24th, 1918; and related material (a lot)