Sadamasa Motonaga (1922 - 2011)
These lots have been imported from outside the EU … Read more
Sadamasa Motonaga (1922 - 2011)

White/Yellow Light in Gray

Details
Sadamasa Motonaga (1922 - 2011)
White/Yellow Light in Gray
signed and dated S. Motonaga 86 (lower left)
titled and signed in Japanese Gurei no naka no shiro kii hikari (White/Yellow Light in Gray), Motonaga Sadamasa and dated 1986 (on the reverse)
oil, enamel paint and acrylic on canvas
53 x 45.5 cm.
Painted in 1986
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Lot Essay

Sadamasa Motonaga was a self-taught artist who joined the Gutai Art Association in 1955, one year after its formation. He participated in all Gutai exhibitions until 1971. Early in his career, with little money to invest in materials, he experimented with inexpensive, non-art mediums and found objects such as wood, rocks, water, plastics, and nails. In 1954 he started to depict cartoon-like forms in dense oil paint, but by 1957 he was experimenting with pouring and dripping bright pigments onto canvas, allowing the colours to mingle.

In 1966 Motonaga was invited by the Japan Society to take up a year-long residency program in New York. While there, he began experimenting with airbrushing techniques which had a dramatic impact on his style. His previous amorphous poured canvases changed into more defined shapes with hard edges, playful colour and gradation allowed by the new technique.

For a similar work Seems White Light is Emerging, 1979 in The National Museum of Art, Osaka, go to: http:/search.artmuseums.go.jp/search_e/records.php?sakuhin=50256

More from Asobi: Japanese & Korean Postwar Art

View All
View All