拍品 26
26
Shoko Maemoto (b. 1957)
These lots have been imported from outside the EU … 顯示更多 Through A Collector's Eye: The Kenzo Kagami Collection of Post-War Japanese Art
Shoko Maemoto (b. 1957)

The Story of HOUJU

細節
Shoko Maemoto (b. 1957)
The Story of HOUJU
sealed Sho (lower right)
signed Shoko Maemoto, titled and dated Houju Monogatari ‘85 (on the reverse of left panel)
acrylic on panel (triptych)
162 x 390 x 6.5 cm.
(3)Painted in 1985
出版
Gallery Kobayashi, THE EIGHTIES 80 nendai no bijutsu (Art in the 80s), (Tokyo, 1990), p. 88-89
Shoko Maeda, Issho ni iko paradaisu (Let’s go to Paradise Together), (Tokyo, 1992), p. 86-87
The Museum of Modern Art, Gunma and The Museum of Art, Ehime, Through a Collector’s Eye: Japanese Art after 1945, exhibition catalogue, (Japan, 2001), cat. no. 98, p. 115
展覽
1983: Rinkai geijutsu: ’83-nen no iso-ten (The critical point in art: exhibition of ’83 phase), Muramatsu Gallery, Tokyo
1986: ART in FRONT ’86, Seikimatsu geijutsu no saizensen (the front line of fin-de-siècle art), Aoyama Spiral Garden, Tokyo
2001 - 2002: Through a Collector’s Eye: Japanese Art after 1945, The Museum of Modern Art, Gunma and The Museum of Art, Ehime
注意事項
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Anastasia von Seibold
Anastasia von Seibold
+44 (0)20 7752 3217

拍品專文

Shoko Maemoto was born in Ishikawa Prefecture in 1957. She graduated from Kyoto Seika College in 1980 followed by B-zemi Learning System of Contemporary Art in 1982. Resisting the general concept that only oil on canvas can be called “art,” she started to produce her own unique works in relief with applied materials including paper-mâché, marbles, beads, mirrors and sequins. Later she incorporated friends, artists and musicians into her work in a story-like manner. Key motifs are nude female figures richly decorated with patterns, masks and dresses, surrounded by explosions of vivid designs and colours.

Her work has been exhibited both in Japan and internationally including:

1984: 5th Sydney Biennale
1987: Monoha to posuto Monoha no tenkai: 1969-nen iko no Nihon no bijutsu (Art in Japan Since 1969 : Mono-ha and Post Mono-ha), Seibu Museum of Art
1989: Bijutsu no kuni no ningyotachi (Man: in Another Dimension of the Human Form), The Miyagi Museum of Art
1989-1991: Against Nature: Japanese Art in the Eighties, San Francisco Museum of Modern Art and others

更多來自 鑑藏慧眼：各務謙蔵戰後日本藝術珍藏

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