A FLEMISH HUNTING TAPESTRY
Please note lots marked with a square will be move… Read more PROPERTY FROM THE COLLECTION OF MR. LUC D’IBERVILLE MOREAU, FORMER DIRECTOR OF MONTREAL’S MUSEE DES ARTS DECORATIFS
A FLEMISH HUNTING TAPESTRY

BRUSSELS, AFTER BERNARD VAN ORLEY, LATE 16TH / EARLY 17TH CENTURY

Details
A FLEMISH HUNTING TAPESTRY
BRUSSELS, AFTER BERNARD VAN ORLEY, LATE 16TH / EARLY 17TH CENTURY
Depicting December from the series 'The Hunts of Maximilian'
128 ¾ in. (327 cm.) high, 124 ½ in. (316 cm.) wide
Provenance
Anonymous sale; Sotheby's London, 27 September 2012, lot 54.
Special notice
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Lot Essay

The present panel is inspired by the original 16th century Bernard van Orley designs for this series of the Hunts of Maximilian, and the main figures in the present panel are taken from the Orley composition depicting `July’, and are the figures on the far right of the wider original scene, together with the identifiable church of Rouge-Cloître, in the background. For comprehensive discussion and illustrations of the series, see Daniel Alcouffe, Les Chasses de Maximilien, Musée du Louvre department des Objects d’art, Editions de la Réunion des musées nationaux, Paris, 1993, and pp.22-23, fig.18, for the orginal wider Orley composition of Les mois de Juillet, and zodiac sign border.

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