Lot Essay
This panel has been identified on stylistic grounds by Bert Schepers as the work of Justus van Egmont and perhaps as part of a series of the Five Senses or as depicting Pomona, the Roman goddess of fruitful abundance. Probably painted early in Van Egmont’s career in Paris in the 1630s, and designed to be seen from below. A seal on the reverse has been thought to be that of Jean-Baptiste Dubarry, Comte du Barry-Cérès (but the picture was not in his sale, which was held in Paris on 21 November 1774).