Untitled

‘It’s always more than its starting point because of its physical manifestation – because it is a painting. There is also a sensibility, a sensuality. If you only have the concept and maybe, yes, you do a really good job with this concept, it will, however, never have the fullness of sensibility that good painting will have. Really, painting should be sexy. It should be sensual. These are things that will always escape the concept. I think painting is a resilient practice; if you look through the history of painting, it doesn't change so much and we always see it in the present. It is still now’ — G. Förg