A GERMAN BRASS AND MOTHER-OF-PEARL-INLAID ROSEWOOD CENTRE TABLE
A GERMAN BRASS AND MOTHER-OF-PEARL-INLAID ROSEWOOD CENTRE TABLE
1 More
Prospective purchasers are advised that several co… Read more
A GERMAN BRASS AND MOTHER-OF-PEARL-INLAID ROSEWOOD CENTRE TABLE

FIRST HALF 19TH CENTURY, IN THE MANNER OF FRANZ XAVER FORTNER

Details
A GERMAN BRASS AND MOTHER-OF-PEARL-INLAID ROSEWOOD CENTRE TABLE
FIRST HALF 19TH CENTURY, IN THE MANNER OF FRANZ XAVER FORTNER
The octagonal top centred by a flower head with eight segments filled with scrolling strapwork and foliage, above four true and four false frieze drawers with applied strapwork, on cabriole legs headed by repousse-metal clasps and with hoof-sabots
32 ½ in. (82.5 cm.) high; 39 ½ in. (100 cm.) wide; 39 ½ in. (100 cm.) deep
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country. Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Sale room notice
This Lot is Withdrawn.

Brought to you by

Carys Bingham
Carys Bingham

Lot Essay

The combination of sophisticated brass and mother-of-pearl marquetry inlaid on a richly-striated rosewood ground bears comparison with the work of the Munich cabinet-maker, Franz Xaver Fortner (1798-1877), whose repertoire embraced Neo-Gothicism to Historicism, and who continued the 18th-century Bavarian speciality of brass-inlaid furniture. By the mid-19th century, the Boulle-revival fashion reached the court of Frederick William IV, and in 1859, he commissioned furniture for the Boulle zimmer of the newly-built Orangerie located in the grounds of Schloss Sanssouci. A Gothic octagonal table by Fortner, veneered in premiere-partie, is illustrated in H. Kreisel, Die Kunst des deutschen Mobels, vol. III, Munich, 1973, no. 672, and a fine wall cabinet by this maker is in the Rijksmuseum, Amsterdam, museum no. BK-1996-15.

More from The English Collector: English Furniture, Clocks and Portrait Miniatures

View All
View All