Joseph Wright of Derby, A.R.A. (Derby 1734-1797)
Specified lots (sold and unsold) marked with a fil… Read more PROPERTY OF A GENTLEMAN
Joseph Wright of Derby, A.R.A. (Derby 1734-1797)

Portrait of Thomas Oldknow (c.1755/6-1791) of Marple, full-length, in a green suit and breeches, in a landscape

Details
Joseph Wright of Derby, A.R.A. (Derby 1734-1797)
Portrait of Thomas Oldknow (c.1755/6-1791) of Marple, full-length, in a green suit and breeches, in a landscape
oil on canvas
96 ½ x 60 in. (245 x 152.5 cm.)
Provenance
Mrs. C. J. Pooley, 1897.
Anonymous sale; Christie's, London, 5 July 1929, lot 70, as 'Portrait of Robert Oldknow' (60 gns. to Kings Galleries).
Anonymous sale; Motcomb Galleries, London, 24 March 1965, as 'Raeburn', when acquired by,
D. R. Sherborn, Fawns Manor, Bedfont, Middlesex; Sotheby's, London, 12 March 1969, lot 117 (361 gns. to Capt. Mackintosh).
Anonymous sale [The Property of a Gentleman]; Christie's, London, 23 November 1973, lot 162 (4,800 gns. to Pelham).
Literature
B. Nicholson, Joseph Wright of Derby: Painter of Light, London, 1968, I, pp. 74, 160, 163 and 215, no. 114; II, p. 211, pl. 334.
Exhibited
Leeds, Leeds Art Gallery Committee, 1897.
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.
Sale room notice
Please note the following addition to the final line of the provenance:
Peter Hone collection, London.

Lot Essay

The sitter, Thomas Oldnow, is shown in an open landscape in a green coat and red-topped boots. In 1786, he had become the managing partner of his brother, Samuel Oldnow’s, bleaching and printing works at Heaton Mersey and was eagerly engaged in the burgeoning hub of manufacture centred in the Midlands. Wright records in his account book ‘A full length of the late Mr. Oldknow, £52.10’ in the opening years of the 1790s and below it ‘Do. of Mr. Samuel Oldknow, £52.10’, suggesting that the two brothers’ portraits were commissioned at the same time. Thomas Oldknow died in 1791, leaving a will dated 2nd February, and bequeathing his substantial assets to his widow and young children. Wright’s portrait, dated to a similar period, was probably begun from life but completed posthumously.

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