A PAIR OF TERRACOTTA BUSTS OF CLERICS
A PAIR OF TERRACOTTA BUSTS OF CLERICS
A PAIR OF TERRACOTTA BUSTS OF CLERICS
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A PAIR OF TERRACOTTA BUSTS OF CLERICS
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Specified lots (sold and unsold) marked with a fil… Read more THE PROPERTY OF A GENTLEMAN
A PAIR OF TERRACOTTA BUSTS OF CLERICS

ATTRIBUTED TO GIOVANNI BATTISTA BARBERINI (C.1625-1692), BOLOGNA, CIRCA 1675

Details
A PAIR OF TERRACOTTA BUSTS OF CLERICS
ATTRIBUTED TO GIOVANNI BATTISTA BARBERINI (C.1625-1692), BOLOGNA, CIRCA 1675
30 7/8 and 30 1/8 in. (78.5 and 76.5 cm.) high
Provenance
With Wengraf, London, 1999, where acquired by the present owner.
Literature
COMPARATIVE LITERATURE:
E. Riccomini, Ordine e Vaghezza, La Scultura in Emilia nell 'eta Barocca, Bologna, 1972, pp. 86-89.
A. Nava-Cellini, La Scultura del Seicento, Turin, 1982, pp. 210-211.
Milan, Palazzo Reale, Settecento Lombardo, 1991, p. 286.
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Donald Johnston
Donald Johnston

Lot Essay

Giovanni Battista Barberini is believed to have been a pupil in the workshop of Ercole Ferrata, where he would have been introduced to the Baroque style of Allesandro Algardi. His first documented works as an independent master are at San Lorenzo, Laino, made between 1664 and 1667. Apart from a short period in Vienna, Barberini spent the majority of his career moving from city to city in northern Italy, where he carried out numerous ecclesiastical commissions.

Barberini is best known for the fine statues of eight Benefactors of the Albergo dei Poveri, Genoa, made in 1672. The modelling of those figures appears to be by the same hand responsible for the present busts, with the very strong and broadly drawn features, the theatrical gazes, the hollowed cheeks beneath high cheek bones, and the identical treatment of the drapery. The close comparison of the busts to these figures, such as those of Franco Borsotto and Ettore Venazza, suggests that they were made at a similar date, most likely after Barberini had finished the Genoese commission and moved to Bologna in 1673.

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