Lot Essay
Radcliffe (loc. cit.) remarks that the example of the present composition in Dublin is characteristic of Soldani's work, in particular the fine matt-punching in the hair, and the method of fixing the bronze to the base, via large bronze lugs and tapering iron pins. Avery (2005, loc. cit.,) suggests that Soldani added casts after Giambologna to his repertory late in his career, including the Dublin bronze, acquired by the 1st Earl of Milltown in Florence in 1744-5, four years after Soldani's death, and similar in manufacture and size to the present cast.