GRAND PARAVENT A DOUZE FEUILLES EN LAQUE DE COROMANDEL
GRAND PARAVENT A DOUZE FEUILLES EN LAQUE DE COROMANDEL
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GRAND PARAVENT A DOUZE FEUILLES EN LAQUE DE COROMANDEL

CHINE, DYNASTIE QING, DATE DE L'ANNEE BINGYIN DU REGNE DE KANGXI (1686)

Details
GRAND PARAVENT A DOUZE FEUILLES EN LAQUE DE COROMANDEL
CHINE, DYNASTIE QING, DATE DE L'ANNEE BINGYIN DU REGNE DE KANGXI (1686)
L'endroit est orné d'une élégante célébration sur fond bleu: un dignitaire est assis dans le pavillon central entouré de ses invités, il reçoit des cadeaux de deux enfants, devant des danseuses et musiciennes au premier plan. Plus loin se trouvent d'autres invités à cheval ou apportant des cadeaux, d'autres dames et enfants sont représentés sur des terrasses et dans des pavillons occupés à diverses activités. La scène est ponctuée d'animaux auspicieux comme des daims et des paons et encadrée d'une bande de cartouches abritant objets de lettrés, scènes mythologiques et paysages. L'envers du paravent orné d'un texte donnant la date (1686) et faisant l'éloge du haut dignitaire Yu à l'occasion de son anniversaire.
Hauteur : 291 cm. (114.1./2 in.) ; largeur de chaque feuille : circa 51 cm. (20 in.)
Provenance
Acquired by Max Leclerc (1864-1932), former director of Armand Colin Editions, and thence by descent in the family.
Special notice
This item will be transferred to an offsite warehouse after the sale. Please refer to department for information about storage charges and collection details.
Further details
AN IMPORTANT TWELVE-PANEL COROMANDEL LACQUER SCREEN
CHINA, QING DYNASTY, DATED BINGYIN YEAR OF KANGXI (1686)

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Fiona Braslau
Fiona Braslau

Lot Essay

Large Chinese Coromandel screens, named after its entrepôt on the coast of India, were fashionable gifts both at home and abroad in the 17th century. For the domestic market, they were commissioned and displayed for special occasions and the presented example is a fine illustration of that feature. This screen was commissioned by a high official in the Ministry of Revenue named Yu for another male family member’s birthday, and possibly paraded at the said event. This celebratory theme repeats itself throughout the screen’s decoration, a rare scene on blue ground. It shows a festive but elegant gathering where a learned man’s interests were manifested from music to go, and symbols of harmony and fortune also mingled. For examples on blue ground in the collections of the Palace Museum in Bejing, see Furniture of the Ming and Qing Dynasties (II) in The Complete Collection of Treasures of the Palace Museum, The Commercial Press, Hong Kong, 2002, p. 214-17. Another example in the collection of Musée Guimet in Paris shows a similar composition (MA 12218 A).

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