拍品專文
For a related example signed by Stephany and Dresch, see Christie's's London, Interiors, 20 July 2016, lot 184.
The present lot is an example of the delicate, intricate micro carving that was popular in the kunstkammers of Europe's nobility in the 18th and 19th centuries. Many of the sculptors who practised the art of micro-carving gained considerable fame - the German born partners Stephany and Dresch, working in London and Bath in the late 18th century, sold their ivories to members of fashionable English society, exhibited a number of times at the Royal Academy, and were named by George III of England, 'Sculptors in Miniature on Ivory to their Majesties'.
The present lot is an example of the delicate, intricate micro carving that was popular in the kunstkammers of Europe's nobility in the 18th and 19th centuries. Many of the sculptors who practised the art of micro-carving gained considerable fame - the German born partners Stephany and Dresch, working in London and Bath in the late 18th century, sold their ivories to members of fashionable English society, exhibited a number of times at the Royal Academy, and were named by George III of England, 'Sculptors in Miniature on Ivory to their Majesties'.