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The Holy Family
Details
Follower of Joos van Cleve
The Holy Family
oil on panel
24 x 20 5/8 in. (60.8 x 52.4 cm.)
The Holy Family
oil on panel
24 x 20 5/8 in. (60.8 x 52.4 cm.)
Provenance
The Alberto Bruni Tedeschi Collection; Sotheby's, London, 21 March 2007, lot 2 (£38,400).
(Probably) Navas Collection, Madrid.
(Probably) Navas Collection, Madrid.
Literature
(Probably) M.J. Friedländer, Early Netherlandish Painting, Leiden and Brussels, 1972, IX, Part I, p. 64, no. 64e, pl. 81.
(Probably) J.O. Hand, Joos van Cleve: The Complete Paintings, New Haven and London, 2004, p. 153, no. 63.7, as 'Copy of Joos'.
(Probably) J.O. Hand, Joos van Cleve: The Complete Paintings, New Haven and London, 2004, p. 153, no. 63.7, as 'Copy of Joos'.
Sale room notice
Please note the following additional provenance for this lot:
Georges Wildenstein, Paris;
Confiscated from the above whilst stored in Bordeaux on 2 August 1941 by the Einsatzstab Reichsleiter Rosenberg (ERR Inv. No. W87);
Transferred via the Jeu de Paume, Paris to Hermann Goering on 20 October 1942 (RM Inv. No. 730);
Recovered in Berchtesgaden and transferred to the Munich Central Collecting Point on 29 July 1945 (MCCP Inv. No. 5714 / 6928);
Repatriated to France on 30 January 1946 and restituted to Georges Wildenstein on 21 March 1947;
The Alberto Bruni Tedeschi Collection; Sotheby's, London, 21 March 2007, lot 2 (£38,400).
(Probably) Navas Collection, Madrid.
Georges Wildenstein, Paris;
Confiscated from the above whilst stored in Bordeaux on 2 August 1941 by the Einsatzstab Reichsleiter Rosenberg (ERR Inv. No. W87);
Transferred via the Jeu de Paume, Paris to Hermann Goering on 20 October 1942 (RM Inv. No. 730);
Recovered in Berchtesgaden and transferred to the Munich Central Collecting Point on 29 July 1945 (MCCP Inv. No. 5714 / 6928);
Repatriated to France on 30 January 1946 and restituted to Georges Wildenstein on 21 March 1947;
The Alberto Bruni Tedeschi Collection; Sotheby's, London, 21 March 2007, lot 2 (£38,400).
(Probably) Navas Collection, Madrid.
Brought to you by
Alexandra Cruden