A PAIR OF FRENCH ORMOLU FOUR-LIGHT CANDELABRA
Specified lots (sold and unsold) marked with a fil… Read more
A PAIR OF FRENCH ORMOLU FOUR-LIGHT CANDELABRA

LAST QUARTER 19TH CENTURY, AFTER THE DESIGN BY JEAN-DEMOSTHENE DUGOURC AND MODEL ATTRIBUTED TO PIERRE GOUTHIERE

Details
A PAIR OF FRENCH ORMOLU FOUR-LIGHT CANDELABRA
LAST QUARTER 19TH CENTURY, AFTER THE DESIGN BY JEAN-DEMOSTHENE DUGOURC AND MODEL ATTRIBUTED TO PIERRE GOUTHIERE
Each stem with caryatids issuing scrolled branches terminating in Egyptian masks, the central branch supported by lion-headed monopodia
23 in. (58 cm.) high
Provenance
Anonymous sale; Sotheby's, New York, 9 November 2007, lot 86.
Special notice
Specified lots (sold and unsold) marked with a filled square not collected from Christie’s by 5.00 pm on the day of the sale will, at our option, be removed to Cadogan Tate. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage. Please call Christie’s Client Service 24 hours in advance to book a collection time at Cadogan Tate Ltd. All collections will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

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Alexandra Cruden
Alexandra Cruden

Lot Essay

Of intricate design, these candelabra are related to the œuvres of two important 18th century craftsmen who created works of art for the Ancien Régime. The caryatid-set stems and stiff-leaf cast bases relate to a pair of candlesticks in a design by Jean-Démosthène Dugourc, architecte et dessinateur du Cabinet de Monsieur Frère du Roi, dated to 1790, today in the Musée des Arts décoratifs, Paris (CD 2703) and illustrated in H. Ottomeyer, P. Pröschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 287, fig. 4.15.6. Two further candelabra with the same stems and candlearms which correspond to those featured on the present lot and which are attributed to Gouthière, are illustrated in., op. cit., p. 208, pl. XXV, and p. 258, fig. 4.7.10, the latter dated to circa 1780. Owing to its unusual and luxurious design, the present form was, like others of similar renown and style, reproduced in the 19th century to meet an ever-growing international demand for works of art created for the foremost patrons of the previous century.

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