A LOUIS XVI ORMOLU AND BARDIGLIO MARBLE STRIKING MANTEL CLOCK WITH CALENDAR
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A LOUIS XVI ORMOLU AND BARDIGLIO MARBLE STRIKING MANTEL CLOCK WITH CALENDAR

LAURENT, PARIS, CIRCA 1780, THE DIAL BY COTEAU, THE CASE ATTRIBUTED TO LEMOYNE, AFTER A DESIGN BY VION

細節
A LOUIS XVI ORMOLU AND BARDIGLIO MARBLE STRIKING MANTEL CLOCK WITH CALENDAR
LAURENT, PARIS, CIRCA 1780, THE DIAL BY COTEAU, THE CASE ATTRIBUTED TO LEMOYNE, AFTER A DESIGN BY VION
The case surmounted by a vase, the white enamel dial with inner concentric calendar ring, signed 'Laurent à Paris', the twin barrel movement with silk suspension and pinwheel escapement with countwheel strike to bell, the dial signed 'coteau'
25 in. (63 cm.) high; 20 in. (51 cm.) wide; 7 in. (18 cm.) deep
來源
Anonymous sale; Sotheby's, New York, 25 April 1998, lot 264.
Anonymous sale; Sotheby's, Paris, 24 March 2005, lot 63.
注意事項
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拍品專文

The design for this clock, traditionally attributed to Vion and composed by Duplessis, is now in the Metropolitan Museum of Art, New York. Interestingly, this ormolu case is attributed to the fondeur Lemoyne by J-D. Augarde in Les Ouvriers du Temps, Geneva, 1996, p. 262. Jean-Jacques Lemoyne was elected maître-fondeur-ciseleur on 28th March 1772. He lived in the rue Princesse and worked most notably for the comte de Montmorency-Laval. Augarde (op. cit, p.262, fig. 205) illustrates an identical clock, but with bleu turquin marble base and movement by Robin which was confiscated from the Marquis de Sérent, governor to the Comte d'Artois' children and states that Louis XVI, Marie-Antoinette and Mesdames Victoire and Adélaîde owned similar clocks.

更多來自 ROBERT DE BALKANY THE CÔTE D'AZUR AND ROME

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