A PAIR OF RESTAURATION ORMOLU AND WHITE MARBLE EWERS
Specified lots (sold and unsold) marked with a fil… Read more
A PAIR OF RESTAURATION ORMOLU AND WHITE MARBLE EWERS

ATTRIBUTED TO CLAUDE GALLE, CIRCA 1820-30, THE MARBLE PROBABLY LATER

Details
A PAIR OF RESTAURATION ORMOLU AND WHITE MARBLE EWERS
ATTRIBUTED TO CLAUDE GALLE, CIRCA 1820-30, THE MARBLE PROBABLY LATER
Each handle in the form of Nike issuing from a bacchic mask, the pointed lip surmounting a zoomorphic mask above bands decorated with nymphs, the fluted socle surmounted by leaves and anthemion
29 ¼ in. (74.5 cm.) high
Special notice
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Alexandra Cruden
Alexandra Cruden

Lot Essay

The design of these ewers is attributed to the foremost bronzier Claude Galle (d. 1815) in H. Ottomeyer, P. Pröeschel et al., Vergoldete Bronzen, Munich, 1986, vol. I, p. 364, fig. 5.12.6. The design seems to have found particular favour amongst Russian and English collectors and was executed either in ormolu or in patinated bronze, the bodies raised on marble or ormolu plinths, and occasionally embellished with further classical figures in relief. Related examples can be found at the Württemberg Landesmuseum in Stuttgart, at Pavlovsk in St Petersburg and at Ostankino in Moscow, whilst a further pair was formerly in the collection of the Earls of Essex, Cassiobury Park in the 19th century (almost certainly that sold from the Ojjeh Collection, Christie's Monaco, 11-12 December 1999, lot 153 (FF264,000 with premium). Galle was amongst the greatest bronziers and fondeur-ciseleurs of the late Louis XVI and Empire periods. First patronised by the Garde Meuble de la Couronne under Jean d'Heure from 1786-1788, he is known to have collaborated with Pierre-Philipe Thomire, amongst others, and was responsible for much of the bronzes d'ameublement supplied during the Empire period to Fontainebleau.

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