A HEAVILY ARMED SOLDIER
These lots have been imported from outside the EU … Read more
A HEAVILY ARMED SOLDIER

GOLCONDA, CENTRAL INDIA, 17TH CENTURY

Details
A HEAVILY ARMED SOLDIER
GOLCONDA, CENTRAL INDIA, 17TH CENTURY
Ink on paper, the figure cut out and depicted standing, facing left, wearing an intricate turban in the Safavid fashion
9in. (22.9cm.) high
Special notice
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

Brought to you by

Sara Plumbly
Sara Plumbly

Lot Essay

The Qutb Shahis (1496-1687) of Golconda maintained close ties with the Safavids of Iran which led to a strong Persian cultural influence and many Iranian artists working at the Golconda court. Persian artists such as Shaykh ‘Abbasi and Muhammad Zaman played a significant role in artistic exchange between 17th century Safavid Iran and the Golconda court. In the 1620s and 1630s, individual album paintings show strong stylistic links with Isfahan, especially in the clothes and turbans worn by the subjects. For comparable works from Golconda depicting figures in Safavid costume, see ‘A Prince Hawking’, circa 1610-20, in the British Library (M. Zebrowski, Deccani Painting, London, 1983, fig.138), ‘Two lovers’, circa 1630 or later, in the Fogg Art Museum, Harvard (ibid, fig. 140), and ‘A Youth in Persian Costume’, circa 1630-40 (Francesca Galloway, Court Paintings from Persia and Iran, London, 2016. no.11.)

This type of cut-out depicting a Persian courtier in Safavid dress was probably used to transfer the image for reproduction. The technique of découpage, in which very fine shapes are cut out and applied to another surface, was practiced in the Deccan, in Bijapur and Golconda. For an example of an early 17th century album page with découpé vase, insects and birds, see N. Haidar, M. Sardar, Sultans of Deccan India 1500-1700, (exhibition catalogue), New York, 2015, no.54, pp.132,134.

More from Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets

View All
View All