Constantin Brancusi (1867-1957)
On occasion, Christie's has a direct financial int… 顯示更多 巴黎私人珍藏
康斯坦丁.布朗庫西 (1867-1957)


康斯坦丁.布朗庫西 (1867-1957)
簽名:Brancusi (頸部後方)
銅雕 銅銹 金箔
長 10 1/2 吋 (26.7 公分)
巴黎雅克.歐曼 (1958年2月前)
R. Vitrac 〈Constantin Brancusi〉《Cahiers D’Art》,1929年,第383頁,編號8-9 (石膏版本插圖)
M.W. Brown著 《American Painting from the Armory Show to the Depression》,普林斯頓,1955年,第46頁 (石膏版本現場圖)
G. Habasque 〈L’Armory Show〉《L’Oeil》,巴黎,1959年,第17頁 (石膏版本現場圖)
「1913 Armory Show 50th Anniversary Exhibition, 1963」展覽目錄,尤蒂卡曼森─威廉姆斯─普羅克特研究院及紐約六十九兵團軍械庫,1963年,第184頁,編號617 (大理石版本插圖,第41頁)
S. Geist著 《Brancusi: The Sculpture and Drawings》,紐約,1975年,第177至178頁,編號72d (大理石及另一鑄版插圖)
I. Jianou著 《Brancusi》,巴黎,1982年,第93頁 (另一鑄版插圖,圖25)
F.T. Bach著 《Constantin Brancusi: Metamorphosen Plasticher Form》,科隆,1987年,第430至431頁,編號99 (大理石版本及另一鑄版插圖,第430頁)
M.W. Brown著 《The Story of the Armory Show》,紐約,1988年,第249頁,編號617 (石膏版本現場圖)
M. Dubin著 《Sleeping Beauty: The Secret of Brancusi’s Janus Muse, The Mary Harriman Rumsey Collection》,紐約,1989年,第24至25頁 (石膏版本現場圖)
F.T. Bach,M. Rowell及A. Temkin著 「Constantin Brancusi」展覽目錄,巴黎蓬皮杜中心,1995年,第102至105頁(大理石、石膏版本及另一鑄版插圖,第103至105頁)
R. Varia著 《Brancusi》,紐約,2002年,第114及116至119頁(石膏版本及另一鑄版彩色插圖)
M.S. Kushner及K. Orcutt編 《The Armory Show at 100:
Modernism and Revolution》,紐約,2013年,第436頁 (石膏版本插圖,第228頁,圖170及現場圖,第31頁,圖10;另一鑄版彩色插圖,第371頁,圖289)
1958年2月 巴黎克勞德.伯納德畫廊 「Sculpture」展覽
1959年6月至10月 巴黎克勞德.伯納德畫廊 「Exposition Internationale de Sculpture」展覽 (插圖)
1967年1月 巴黎克勞德.伯納德畫廊 「Portraits-Sculptures」展覽
1998年至1999年 日內瓦藝術及歷史博物館 (長期借展)
2003年10月至2004年2月 都靈現代藝術畫廊 「Africa: capolavori da un continente」展覽;編號5.4 (彩色插圖)
2009年1月至5月 巴塞爾貝耶基金會 「Visual Encounters: Africa, Oceania, and Modern Art」展覽 (彩色插圖)
2011年5月至8月 巴塞爾貝耶勒畫廊 「Constantin Brancusi and Richard Serra: A Handbook of Possibilities」展覽;第239頁 (插圖,第106至107頁)

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price.

Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.
In addition to those lots marked in the catalogue with the relevant symbols, please note that lot 32A has a guarantee fully or partially financed by a third-party who will be bidding on the lot and may receive a financing fee from Christie’s and note that the estimates for Lot 32 should be $25,000,000 -35,000,000.

Please note that this work is stamped with foundry mark 'C. VALSUANI CIRE PERDUE' (on the side of the neck).

Please note that the following is the amended provenance for this sculpture:
(probably) Alexandre Stoppelaere and Léonie Ricou, Paris.
(probably) Charles and Marie-Laure de Noailles, Paris (acquired from the above, 22 March 1929 and until 1956).
Jacques Ulmann, Paris (by February 1958).
By descent from the above to the present owner.


Jessica Fertig
Jessica Fertig


附由Friedrich Teja Bach博士於1999年2月21日開具的證書,而本作品亦將被收錄於其編纂的作品全集 (編號99)

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