AN AESTHETIC MOVEMENT PARCEL-GILT AND INLAID EBONIZED CHERRYWOOD CABINET
AN AESTHETIC MOVEMENT PARCEL-GILT AND INLAID EBONIZED CHERRYWOOD CABINET
AN AESTHETIC MOVEMENT PARCEL-GILT AND INLAID EBONIZED CHERRYWOOD CABINET
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Please note lots marked with a square will be move… Read more PROPERTY FROM THE ESTATE OF RICHARD J. SCHWARTZ
AN AESTHETIC MOVEMENT PARCEL-GILT AND INLAID EBONIZED CHERRYWOOD CABINET

ATTRIBUTED TO HERTER BROTHERS (W. 1864–1906), NEW YORK, CIRCA 1880

Details
AN AESTHETIC MOVEMENT PARCEL-GILT AND INLAID EBONIZED CHERRYWOOD CABINET
ATTRIBUTED TO HERTER BROTHERS (W. 1864–1906), NEW YORK, CIRCA 1880
90 in. high, 60 in. wide, 16 in. deep
Provenance
Margot Johnson, Inc., New York, 1988
Special notice
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Lot Essay

The circular blossom marquetry reflects the early influence of Japanese motifs and relates closely to that on a wardrobe made by Herter Brothers between 1875 and 1883, now in the collection of the Metropolitan Museum of Art and illustrated in Katherine S. Howe, Alice Cooney Frelinghuysen, and Catherine Hoover Voorsanger, Herter Brothers: Furniture and Interiors for a Gilded Age (New York, 1994), p.195. For a virtually identical cabinet very likely made en suite with the present lot, see Fontaine's Auction Gallery, Pittsfield, Massachusetts, 29 September 2007.

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