A SILVER AND MIXED-METAL WATER PITCHER AND PAIR OF MATCHING BEAKERS
A SILVER AND MIXED-METAL WATER PITCHER AND PAIR OF MATCHING BEAKERS
A SILVER AND MIXED-METAL WATER PITCHER AND PAIR OF MATCHING BEAKERS
A SILVER AND MIXED-METAL WATER PITCHER AND PAIR OF MATCHING BEAKERS
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PROPERTY OF A LADY
A SILVER AND MIXED-METAL WATER PITCHER AND PAIR OF MATCHING BEAKERS

MARK OF TIFFANY & CO., NEW YORK, CIRCA 1878

细节
A SILVER AND MIXED-METAL WATER PITCHER AND PAIR OF MATCHING BEAKERS
MARK OF TIFFANY & CO., NEW YORK, CIRCA 1878
in Japanesque style, with spot-hammered surfaces, the baluster pitcher applied with copper and Japanese gold dragonfly moth and rushes, the gourd-form beakers with mokumé gourds, dragonflies and moths amongst vines and scrolling tendrils, marked on undersides, the pitcher numbered 4834/9804, the beakers numbered 5127/9661 and with French import marks on rims
the pitcher 10 in. (25.4 cm.) high, the beakers 4 ½ in. (11.3 cm.) high; 54 oz. 2 dwt. (1,679 gr.)

拍品专文

For the Paris Exposition of 1878, Tiffany & Co. created an interpretation of Japanese aesthetic principles in silver that caused an international sensation and propelled the American firm to the forefront of the market. Edward Moore, director of Tiffany's silver department, rejected the grandiose historical revival styles that were the prevailing style in Europe and instead developed highly original works based on simple, unpretentious, natural subjects. He adopted the Japanese techniques of applying colored alloys and gold to "paint pictures in silver," and this scenic approach is well illustrated on the present water pitcher and matching beakers. He also very ingeniously integrated the form and the ornament, resulting in entirely novel shapes for traditional objects such as coffeepots, pitchers, and candlesticks.

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