THE SMITH-MARSH FAMILY PAIR OF CHIPPENDALE CARVED MAHOGANY SIDE CHAIRS
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THE SMITH-MARSH FAMILY PAIR OF CHIPPENDALE CARVED MAHOGANY SIDE CHAIRS

POSSIBLY THE SHOP OF THOMAS TUFFT (CIRCA 1740-1788), PHILADELPHIA, CIRCA 1770

Details
THE SMITH-MARSH FAMILY PAIR OF CHIPPENDALE CARVED MAHOGANY SIDE CHAIRS
POSSIBLY THE SHOP OF THOMAS TUFFT (CIRCA 1740-1788), PHILADELPHIA, CIRCA 1770
one chair with seat frame marked VII and original slip-seat frame similarly marked; the other chair with seat frame marked XIII and slip-seat frame from the same original set marked VIIII; en suite with the following lot
38 ½ in. high
Provenance
The Smith-Marsh family, Philadelphia
Israel Sack, Inc., New York
Sold, Sotheby’s, New York, 17 January 1999, lot 843
The Marvill Collection, New York
Sold, Northeast Auctions, Manchester, New Hampshire, 15-16 August 2015, lot 508 (part)
Literature
Israel Sack, Inc., American Antiques from Israel Sack Collection, vol. VII, pp. 1712-1713, P4876.
Special notice
Please note lots marked with a square will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) on the last day of the sale. Lots are not available for collection at Christie’s Fine Art Storage Services until after the third business day following the sale. All lots will be stored free of charge for 30 days from the auction date at Christie’s Rockefeller Center or Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Operation hours for collection from either location are from 9.30 am to 5.00 pm, Monday-Friday. After 30 days from the auction date property may be moved at Christie’s discretion. Please contact Post-Sale Services to confirm the location of your property prior to collection. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn). Please consult the Lot Collection Notice for collection information.

Lot Essay

Displaying a Gothic design from Thomas Chippendale and accomplished carved ornament, this pair of chairs exemplifies the Philadelphia taste during the Rococo era. At least six other chairs from the same set have been published: A pair that descended in the Tyson-Fitzhugh family of Carroll County, Maryland (see following lot); a pair that sold, Sotheby's, New York, 18 January 2003, lot 909; a single chair that like the pair offered here descended in the Smith-Marsh family (Israel Sack, Inc., American Antiques from Israel Sack Collection, vol. VII, p. 1785, P5026); and another single chair (Joseph K. Kindig III, The Philadelphia Chair, 1685-1785 (York, Pennsylvania, 1978), no. 57). Closely related carving is seen on furniture labeled by or attributed to Thomas Tufft and it is very possible that these chairs were made in the same shop. A high chest and dressing table both labeled by Tufft feature knees with opposing C-scrolls and leafy clusters and two sets of side chairs made for Richard Edwards and documented to Tufft exhibit seat rails with C-scroll edged shaping and knee returns that terminate in scrolling leafage, all of which are seen on the pair offered here. Furthermore, the Edwards chairs, a side chair labeled by Tufft at Winterthur Museum and the pair offered here all have side seat rails with rear shaping that is integral to the rail (rather than applied) and splats seated in the shoes, construction similarities that support an attribution to the same shop (the labeled casepieces are now at the Philadelphia Museum of Art; for the high chest, see Christie's, New York, 25 June 1991, lot 276; for the Edwards chairs, see Christie's, Important Philadelphia Furniture from the Edwards Family, 28 May 1987, lot 201 and Carl M. Williams, "Thomas Tufft and His Furniture for Richard Edwards," The Magazine Antiques (October 1948), p. 247; for the Winterthur side chair, see John T. Kirk, American Chairs: Queen Anne and Chippendale (New York, 1972), p. 92, fig. 91). The pair offered here were noted to have descended from the Smith-Marsh family at the time they were sold by Israel Sack, Inc. and along with another chair from the same set, appear in a nineteenth-century photograph of the family's parlor (see Israel Sack, Inc., American Antiques from Israel Sack Collection, vol. VII, p. 1712).

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