Kurt Schwitters (1887-1948)
Artist's Resale Right ("Droit de Suite"). Artist's… 顯示更多 Property from a Distinguished Private European Collection
Kurt Schwitters (1887-1948)

Ohne Titel (Mit schwarzen Flecken)

細節
Kurt Schwitters (1887-1948)
Ohne Titel (Mit schwarzen Flecken)
signed with the artist's initials and dated 'KS 47' (lower
right)
paper collage on paper laid down on board
image: 4 ½ x 3 5/8in. (11.5 x 9cm.)
board: 11 ¼ x 8 ¾in. (28.6 x 22cm.)
Executed in 1947
來源
Ernst Schwitters, Lysaker (by descent).
Bo Ivan Peterson, Stockholm.
Private Collection (acquired from the above).
Thence by descent to the present owner.
出版
K. Orchard & I. Schulz, Kurt Schwitters, Catalogue Raisonné 1937-1948, vol. III, Hannover 2006, p. 607 no. 3488 (illustrated).
展覽
Stockholm, Konstsalongen Samlaren, Kurt Schwitters: "Aphorismer" 1918-1947. Collage ochrelief, 1965, no. 95.
Stockholm, Konstsalongen Samlaren, Kurt Schwitters i svensk ägo, 1967, no. 59.
注意事項
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

榮譽呈獻

Alessandro Diotallevi
Alessandro Diotallevi

拍品專文

'The artist creates through the choice, distribution and metamorphosis of the materials. The metamorphosis of materials can be produced by their distribution over the picture surface. This can be reinforced by dividing, deforming, overlapping, or painting over’
KURT SCHWITTERS

‘At the end of 1918 I realized that all values only exist in relationship to each other and that restriction to a single material is one-sided and small-minded’
KURT SCHWITTERS

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